To consider taking classes from masters Luciana Rabello, Mauricio Carrilho,Īnd others, at their Escola Portátil de Música, every Saturday from 9 a.m. If you find yourself spending more time in Rio, you may want Another well-known flutist is Odette Ernest Dias Nilze Carvalho (from the group Sururu na Roda) is a singer and cavaquinho player Mariana Bernardes and Ana Rabello play cavaquinho and Sheila Zagury and Maria Teresa Madeira are celebrated pianists. Saturday.you can buy your fruits and vegetables and listen to a great,įree concert.where else in the world?) areĭo Choro and the Escola de Choro Raphael Rabello! Women musicians aren't as numerous as guys, but female choro practitioners of all ages are heard at rodas de choro everywhere some are pictured here: Eliane Salek (flute), Daniela Spielmann (saxophones), and Luciana Rabello (cavaquinho). This "chorinho na feira" at a street market in Laranjeiras every Legions of fans of all ages. Places to listen to choros in Rio (like Happy to report that choro is booming again, with a new generation of musicians In April of 1997, Brazil celebrated the 100th anniversary of Pixinguinha's birth. The resulting CD, appropriately called "NoitesĬariocas" (Rio Nights) is a beautiful introduction to this fascinating musical genre. In 19 some of these chorões, along with old masterĪltamiro Carrilho, recreated the choro "rodas" or jam sessions from suburban Rio Though he started much earlier, this is when he became really famous - and Henrique Cazesīelong to this time. Época de Ouro after Jacob do Bandolim died in 1969), Joel do Nascimento, Paulo Moura - even Generation of musicians and composers: Paulinho da Viola, Déo Rian (who led the group The late 60's and the 70's saw a revival of the choro - expanding from the jam sessionsĪt the popular Sovaco de Cobra botequim in the suburb of Penha in Rio - with a new Pandeiro (Brazilian tambourine) is still the rhythm base in traditional choro. Pixinguinha and his group "Os Oitoīatutas" were the first to incorporate percussion instruments to choro and the Ingênuo, Lamentos, Um a Zero (1 x 0), etc. Is also the composer of the unforgettable "Carinhoso" and other masterpieces. Who is considered the greatest choro musician of all time? Perhaps theįlutist and saxophonist Pixinguinha (1897-1973), born Alfredo da Rocha Viana Júnior. Singing this song in the film Copacabana?), and João Pernambuco who wrote Zequinha de Abreu, author of "Tico-Tico no Fubá" (remember Carmen Miranda Influenced by Nazareth's improvisational style. Villa-Lobos at the time was a cellist in the orchestra at the Odeon and was apparently (1863-1934) left more than 220 compositions, including the classics "Apanhei-teĬavaquinho" and "Odeon" (named after the cinema where he played the piano). "jazzy" CD of her compositions called Chiquinha com Jazz. The 150th anniversary of Chiquinha's birth, pianist Antonio Adolfo released a "Corta-Jaca") which are still included in the chorões repertory. The pianist Chiquinha Gonzaga (1847-1935), the greatestįemale composer of Brazilian popular music, wrote several choros ("Atraente", Silva Calado Júnior - author of the beautiful "Flor Amorosa" (Amorous Flower) -Īnd Viriato Figueira da Silva. The first generation of chorões includes the flutists and composers Joaquim Antonio da "the essence of the Brazilian musical soul."
APANHEI TE CAVAQUINHO FLUTE SERIES
He would later compose a series of 14 Choros and call the form having a very strict father - used to escape through the window to join these musicians Hundreds of choro groups (called "chorões") would spend the night playingįor food and drink, in private homes or botequins (described by someone as Rio's answer to Instrumental groups consisting of two guitars and cavaquinho - called "música deīarbeiros", because the slaves who played in them were also trained as barbers - hadĮxisted since the middle of the 18th century. It was initially aīrazilian way of playing European dance music, waltzes, polkas, etc. Or more soloists, it originated in Rio de Janeiro in the 1870's. Primarily instrumental, characterized in part by improvisation and virtuosity, with one Linen has a thorough examination of the genre online. Read Portuguese - we recommend you get yourself a copy of Henrique Cazes' Guitar modulations.) To read more about the origins of choro - if you People out there know that "choro" is also a musical form? (Actually, someĮxperts say that the name is meant to suggest the impression of melancholy of certain "choro," which means "weeping" or "crying." But how many Choro - A Brazilian classic!Īnyone who studies Portuguese will sooner or later come across the word Brazilian Popular Music The Roots of Brazilian Music - Part II - From the eighteenth century "música de barbeiros" (barber music) to the choro.
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